They seem to be in favor of simply allowing individuals—living persons defined by the life and death of their physical bodies—to enter into agreements with other individuals or other private entities businesses for example to buy and sell goods and services as their interests dictate. A second solution, which had many sympathizers after the international disorder brought on by the two World Wars of the twentieth century, goes in precisely the opposite direction: instead of giving up on the idea of a public, it makes it the cornerstone of a unitary conception of human belonging within which particular publics or republics nations if one wants to still use that term from the preglobalized era are allowed at least nominal existence.
The United Nations and other international organizations were founded to coordinate and harmonize what were still called out of habit countries into one supranational republic, organized as much as possible along democratic lines with shared values and aspirations embodied in the Universal Declaration of Human Rights and other such documents. A third solution would be a situation where a traditional public continues to be bounded in its identity with certain material and symbolic documents such as passports and anthems, and by concrete measures such as elections and paying taxes into this national treasury as opposed to that one; but most large decisions would be made not by elected individuals but by nonelected world commissions of energy experts, education experts, production experts in the areas of agricultural and construction, water management, and so forth.
Forster, as well as the thoughts and feelings of two internationalists of English origin, Charles Spencer Chaplin, Jr. On January 1, , the Euro was introduced as the single accounting currency of eleven countries of the European Union. Nearly 3, people died.
Those events in Europe and North America seemed at the time to be setting the two continents on very different paths, just as other events had done back in At that earlier time in the U. While the U. Should Christians be billionaires? In short, it was and still is a Europe without Europeans.
In , the financial crisis caused the histories of Europe and the United States to converge and the illusions on both sides of the Atlantic to come into clearer focus. Parallels were drawn with the s, another time when both Europe and America faced deep economic hardship, social instability, and class divisions. Have Europe and the United States simply gone too far this time and made mistakes that are unrepairable? We will soon find out since living in denial and on borrowed time and money appear increasingly unsustainable.
One thing is certain: change will happen, and the way we live now will soon be different, either through deliberation and choice or accident and force. I find it particularly worthwhile to reconsider the testimony of three British witnesses: Orwell, Huxley, and Forster. Perhaps there is something special about being British that makes being a witness from that old country especially valuable. Could it be its geographic location between North America and Europe?
Or is it just that Orwell, Huxley, and Forster were three exceptionally gifted and eloquent individuals? My purpose here is not to offer full readings of these works, but to draw attention to aspects of them that can broaden and deepen our understanding of Tocqueville, democracy, and the Internet age. One hopes this heightened attention to events that took place in the days of our grandparents and that bear certain resemblances to our own times bank failures, massive unemployment, extremist politics will yet allow us to avoid repeating the worst catastrophes of the decade that followed. With that goal in mind, it might be useful to unearth other documents, radio broadcasts, and films from that earlier era.
Chaplin was a victim of McCarthyism, which, in a cruel irony, turned him into the homeless person he often portrayed in Depression-era films. Is it not the same point Charlie Chaplin is making when he decides to play two matching roles, the antihero barber-tramp and the Hitleresque dictator, Adenoid Hynkel? He puts everything he has and much of himself into what he must know will be his finale, a sort of valedictory address to the world. People who have read the book probably remember the rats and the torture in the grim third and final part.
Those and other dark aspects of the novel are certainly what get played up in the movie version. Besides the sorrowing, however, there are many lighter moments of rejoicing and toiling more or less happily. Winston Smith basically likes his job—rewriting history—and takes quiet pride in his language skills, both in English and Newspeak. Despite his brooding private side that makes him revolt against all pressures to conform in conformity with the romantic social code of the artist-rebel , Winston likes people, likes striking up conversations, likes making connections.
Orwell wants to pack the entire English language and the achievements of all of world literature, of all civilization practically, into this book. In Orwell, that is, Eric Blair — , is a man in his mid-forties who hopes that will help prevent English socialism from becoming another version of the National Socialism that engulfed Germany and much of Europe.
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Our feelings about these and other charismatic leaders are much more complex and conflicted today than simple love. But thoughts are constantly cropping up again because there is always more past being produced every day, and thinking can arise from mere succession, the mere juxtaposition of then and now, or of subject and predicate. Hence the desire of every totalitarian regime to stop time and control language. Resist and bear witness.
Orwell, like Tocqueville, worried that socialism, if pushed too far by zealots or fanatics, and if it succumbed to the depraved instead of the manly passion for equality DA I, , would be incompatible with liberty and therefore incompatible with creative development, whether scientific, artistic, or simply existential such as the love between two people or random acts of human kindness to strangers—of which Tocqueville was no doubt the grateful recipient in America on many occasions.
They were not loyal to a party or a country or an idea, they were loyal to one another. And inversely, affectionate clannishness can lead to suffocating provincialism and cronyism that shut out the discoveries and productivities of networks of weak ties that develop within the massive, moderate middle. What can look like a help can end up a hindrance. The greater danger is the hard-edged world the Ingsoc party seeks to establish:.
Against this pleasure principle totalitarianism that Huxley depicted during the height of the Great Depression but before Hitler came to power, Orwell offers a pain principle version, one could say. In contrast, Huxley sees the menace to human freedom as coming from the soft despotism that Tocqueville imagined in and that he, Huxley, in a sense expanded on, standing as he is in on the shoulders of Tocqueville and subsequent commentators e.
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The God figure in Brave New World , for example, is not a mysterious, mustachioed menace but a heroic prime mover, Henry Ford. Beyond these and other differences in means, however, what is probably most striking to the contemporary reader is how powerfully complementary the visions in these two books are—each successful enough in its own way to have entered vernacular English.
And live happily, or at least tranquilized, ever after. Contemporary observers since the days of Orwell and Huxley who both died during the Cold War in and , respectively know that neither soft despotism nor hard despotism has disappeared in the Internet age. On the contrary, both approaches are exercised by openly authoritarian regimes as well as in modern democracies on a regular basis as conditions require.
It would seem, though, that for Huxley the differences between hard and soft approaches were important as we saw they were for Tocqueville , since he felt compelled to elaborate on them further in a more extended reply to Orwell in Brave New World Revisited. Brave New World and are two imaginary attempts—composed amid plenty of real world twentieth-century experiments—to achieve this reduction of the indocile, freedom-loving wolf-man into the entirely social, tractable ant-man.
And Huxley compares the fables two pages later in this paragraph:. As description this is fine as far as it goes, and it leads Huxley to restate a few pages later the chiding criticism he made to Orwell in his private letter nearly ten years before. And yet history has shown that the advent of software and other soft-serve technologies can take place right alongside harsher traditional methods of persuasion. Savage, and Helmholtz are merely exiled to islands for individuals instead of being tortured into submission or summarily killed off like Joseph K.
In other words, while the essay Brave New World Revisited might have been partly motivated by a competitive desire to point out some alleged flaws in the work of a famous rival in the field of theoretical-mythical-prophetic utopia studies,  Huxley ends up inadvertently revealing some weaknesses in his own imaginative creation. This fact takes nothing away from the many strengths of the later essay, which offers a persuasive argument about how hard it will be for democracy to take hold or survive in an overcrowded, overorganized world. It also claims that in such a densely organized world it will also be next to impossible for man to remain truly human and pursue projects freely and lovingly in accordance with his fundamental nature and values.
Might democracy be best characterized not as a human right, but as a human requirement? Huxley does not explicitly ask those questions though his inquiry leads in that direction. But how many today are willing and able to enroll in such courses? And who will pay for them? Does a majority of the population think it worthwhile to take a good deal of trouble to stop the current drift toward totalitarian control of everything? Mustapha Mond explains why:. The appropriately named Mr. Collectively they look back with relief that not quite everything was destroyed in Europe during the previous two decades, but with only moderate optimism about what lies ahead as the Cold War begins to harden hearts and minds once again both in- and outside the so-called Free World.
In hard times, even poets must account for themselves. Temperamentally, I am an individualist. Professionally, I am a writer, and my books emphasize the importance of personal relationships and the private life, for I believe in them…. If we are to answer the challenge of our time successfully, we must manage to combine the new economy and the old morality. The doctrine of laisser-faire will not work in the material world. It has led to the black market and the capitalist jungle. We must have planning and ration books and controls, or millions of people will have nowhere to live and nothing to eat.
Our economic planners sometimes laugh at us when we are afraid of totalitarian tyranny resulting from their efforts—or rather they sneer at us, for there is some deep connection between planning and sneering which psychologists should explore. But the danger they brush aside is a real one. They assure us that the new economy will evolve an appropriate morality, and that when all people are properly fed and housed, they will have an outlook which will be right, because they are the people. I cannot swallow that. I have no mystic faith in the people.
I have in the individual. He seems to me a divine achievement and I mistrust any view which belittles him. You are important because everyone else is an individual too—including the person who criticises you. In asserting your personality you are playing for your side. That then is the slogan with which I would answer, or partially answer, the Challenge of our Time. We want the New Economy with the Old Morality. We want planning for the body and not for the spirit. But the difficulty is this: where does the body stop and the spirit start? You must supervise parenthood. You are meddling with the realms of the spirit, of personal relationships, although you may not have intended to do so.
And you are brought back again to that inescapable arbiter, your own temperament. When there is a collision of principles would you favor the individual at the expense of the community as I would? Or would you prefer economic justice for all at the expense of personal freedom? But perhaps here Forster has confused Blair-Orwell with the narrator of Nevertheless, the aristocracy he describes is democratic in the sense that its members crop up everywhere and all stand in opposition to the traditional hero-worship especially the worship of power, rank, and influence that comes with traditional aristocracy.
Forster feels the urgency of bearing witness. He is the consummate professor-artist who accepts that no one ought to duck accountability, and so like Shelley before him, he defends his actions and those of his tribe, hoping that society will in turn remember its duty to artists and not banish or kill them off completely—hardly a groundless fear in Change the circle to a rectangle and Forster could be describing a contemporary conversation on any computer screen.
The son asks his mother to come and see him. However, the repairs are not forthcoming, and this Machine civilization comes to an apocalyptic end. They are hiding in the mist and ferns until our civilization stops. At any rate, the sales and marketing people at Penguin books would probably be glad if more of us would like to make use of it ourselves. He was born in like Heimonet and Pierre Rosanvallon , which makes him a sort of early baby boomer just as President Obama, born in , is the symmetrical late baby boomer. He died in August of the motor neuron disease ALS—amyotrophic lateral sclerosis—also known in the U.
In France it is known as the maladie de Charcot , in honor of Jean-Martin Charcot, the doctor who first diagnosed it in detail—the same doctor whose work on hysteria and hypnosis would influence Freud and the development of psychoanalysis. In the last two years of his life, as he was progressively losing power over his body from limbs to core, Judt managed to write two fine little books.
One is an extended essay on the rise and fall of social democracy and the possibility of its afterlife. One has to marvel at the extraordinary courage and determination—comparable to that of Stephen Hawking or Jean-Dominique Bauby—of someone undertaking and actually completing these projects. And at the combination of generosity and stubbornness that seems to have pushed Judt to write to the end where lesser figures with already a shelf of publications to their names might have occupied their last days sailing or fly fishing.
Judt is irrepressibly cheerful—just look at that endearing smile on the back flap of his two last books—and lacks the anger of an Orwell or Heimonet, though he wishes he and his colleagues could be angrier. In his Introduction to discussed above, Thomas Pynchon says that Orwell was constantly worried about losing the anger that seems to have been his fuel, his spur. In Ill Fares the Land, Judt seems worried about not finding his—not being able to adequately express his anger or incite an anger in his contemporaries that would be productive and not destructive.
Perhaps, like many, he is undecided about the value of anger and wonders whether it is best to let it out or hold it in. The above instances of the words anger , angry and angrier suggest that on the one hand Judt believes in the role of anger as a catalyst of consciousness-raising and political action, but he is also perhaps mindful of the possibility of 1 its degeneration into tantrum and sterile self-indulgence, 2 of not getting beyond that primary gut feeling of pain and hurt, and 3 of its escalating out of control.
In other words, three counterproductive outcomes. Having been twenty in and not six, sixteen, or thirty-six, Judt was in a better position than many to both take part in and see the limitations of various forms of protest in Europe, America, and Israel around that time. Why do the town's residents check newcomers' toes? Can true love blossom amidst galactic disaster? Is the abandoned Navy base outside Hypothermia really abandoned? Will the malicious gray aliens be stopped? And can toadstools with tentacles really read our thoughts? All this and more is revealed in Z is for Xenophobe.
What disappointed you about Z is for Xenophobe? I never listen to science fiction--the write up for this book indicated an interesting story- very bizzare story-. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Chemistry by Choon H. Do Editor ; Attila E. This book discusses the vital role of chemistry in everyday life.
It encourages readers to understand how the knowledge of chemistry is important for the development of society and a better future. The text is organized into three parts. Written in an easy-to-understand manner and supplemented by ample number of figures and tables, the book will cater to a broad readership ranging from general readers to experts. Microbiology has undergone radical changes over the past few decades, ushering in an exciting new era in science. In The New Microbiology, Pascale Cossart tells a splendid story about the revolution in microbiology, especially in bacteriology.
This story has wide-ranging implications for human health and medicine, agriculture, environmental science, and our understanding of evolution. The revolution results from the powerful tools of molecular and cellular biology, genomics, and bioinformatics, which have yielded amazing discoveries, from entire genome sequences to video of bacteria invading host cells.
This book is for both scientists and especially nonscientists who would like to learn more about the extraordinary world of bacteria. Cossart's overview of the field of microbiology research, from infectious disease history to the ongoing scientific revolution resulting from CRISPR technologies, is presented in four parts. New concepts in microbiology introduces the world of bacteria and some recent discoveries about how they live, such as the role of regulatory RNAs including riboswitches, the CRISPR defense system, and resistance to antibiotics.
Sociomicrobiology: the social lives of bacteria helps us see the new paradigm by which scientists view bacteria as highly social creatures that communicate in many ways, for example in the assemblies that reside in our intestine or in the environment. The biology of infections reviews some of history's worst epidemics and describes current and emerging infectious diseases, the organisms that cause them, and how they produce an infection. The New Microbiology takes us on a journey through a remarkable revolution in science that is occurring here and now.
Nonviolent Communication by Marshall B. The latest edition of the communication guide that has sold more than 1,, copies An enlightening look at how peaceful communication can create compassionate connections with family, friends, and other acquaintances, this international bestseller uses stories, examples, and sample dialogues to provide solutions to communication problems both at home and in the workplace. Guidance is provided on identifying and articulating feelings and needs, expressing anger fully, and exploring the power of empathy in order to speak honestly without creating hostility, break patterns of thinking that lead to anger and depression, and communicate compassionately.
Practical nonviolent communication skills are partnered with a powerful consciousness and vocabulary that can be applied to personal, professional, and political differences. Included in the new edition is a complete chapter on conflict resolution and mediation.
Can we talk about the news media without proclaiming journalism either our savior or the source of all evil? It is not easy to do so, but it gets easier if we put the problems and prospects of journalism in historical and comparative perspective, view them with a sociological knowledge of how newsmaking operates, and see them in a political context that examines how political institutions shape news as well as how news shapes political attitudes and institutions. Adopting this approach, Michael Schudson examines news and news institutions in relation to democratic theory and practice, in relation to the economic crisis that affects so many news organizations today and in relation to recent discussions of "fake news.
For the public to be swayed from positions people have already staked out, and for government officials to respond to charges that they have behaved corruptly or unconstitutionally or simply rashly and unwisely, the source of information has to come from organizations that hold themselves to the highest standards of verification, fact-checking, and independent and original research, and that is exactly what professional journalism aspires to do. This timely and important defense of journalism will be of great value to anyone concerned about the future of news and of democracy.
Leaves are all around us--in backyards, cascading from window boxes, even emerging from small cracks in city sidewalks given the slightest glint of sunlight. Perhaps because they are everywhere, it's easy to overlook the humble leaf, but a close look at them provides one of the most enjoyable ways to connect with the natural world. A lush, incredibly informative tribute to the leaf, Nature's Fabric offers an introduction to the science of leaves, weaving biology and chemistry with the history of the deep connection we feel with all things growing and green.
Leaves come in a staggering variety of textures and shapes: they can be smooth or rough, their edges smooth, lobed, or with tiny teeth. They have adapted to their environments in remarkable, often stunningly beautiful ways--from the leaves of carnivorous plants, which have tiny "trigger hairs" that signal the trap to close, to the impressive defense strategies some leaves have evolved to reduce their consumption. Recent studies suggest, for example, that some plants can detect chewing vibrations and mobilize potent chemical defenses.
In many cases, we've learned from the extraordinary adaptations of leaves, such as the invention of new self-cleaning surfaces inspired by the slippery coating found on leaves. But we owe much more to leaves, and Lee also calls our attention back to the fact that that our very lives--and the lives of all on the planet--depend on them. Not only is foliage is the ultimate source of food for every living thing on land, its capacity to cycle carbon dioxide and oxygen can be considered among evolution's most important achievements--and one that is critical in mitigating global climate change.
Taking readers through major topics like these while not losing sight of the small wonders of nature we see every day--if you'd like to identify a favorite leaf, Lee's glossary of leaf characteristics means you won't be left out on a limb--Nature's Fabric is eminently readable and full of intriguing research, sure to enhance your appreciation for these extraordinary green machines.
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Knights vs. This heavily illustrated middle grade novel from award-winning author and artist Matt Phelan is a hilarious, rip-roaring tale of derring-do perfect for reluctant readers and fans of How to Train Your Dragon and The Terrible Two. Let me tell you a secret about the Knights of the Round Table: they don't have much to do.
The realm is at peace and dragons are few and far between. Dinosaurs is a highly illustrated, fast-paced adventure full of uproarious knightly hijinks, surprising secrets, and terrifying dinosaurs. With art on nearly every page, including an epic fight scene depicted in several graphic-novel style spreads, this engaging story is Monty Python for young middle school readers. Rather, she's stuck in a tiny apartment with two parents way too lovey--dovey , three sisters way too dramatic , everyone's friends way too often , and a piano which she never gets to practice. To stand out, she'll need to nail her piano piece at the upcoming city showcase, which means she has to practice through her sisters' hijinks, the neighbors' visits, a family trip to the Dominican Republic.
But some new friends and honest conversations help her figure out what truly matters, and know that she can succeed no matter what. You by William B. Irvine Call Number: 2nd Floor Ir84y. What are you? Obviously, you are a person with human ancestors that can be plotted on a family tree, but you have other identities as well.
According to evolutionary biologists, you are a member of the species Homo sapiens and as such have ancestral species that can be plotted on the tree oflife. According to microbiologists, you are a collection of cells, each of which has a cellular ancestry that goes back billions of years. A geneticist, though, will think of you primarily as a gene-replication machine and might produce a tree that reveals the history of any given gene. And finally,a physicist will give a rather different answer to the identity question: you can best be understood as a collection of atoms, each of which has a very long history.
Some have been around since the Big Bang, and others are the result of nuclear fusion that took place within a star. Not only that,but most of your atoms belonged to other living things before joining you. From your atoms' point of view, then, you are just a way station on a multibillion-year-long journey.
You: A Natural History offers a multidisciplinary investigation of your hyperextended family tree, going all the way back to the Big Bang. And while your family tree may contain surprises, your hyperextended history contains some truly amazing stories. As the result of learning more about who andwhat you are, and about how you came to be here, you will likely see the world around you with fresh eyes. You will also become aware of all the one-off events that had to take place for your existence to be possible: stars had to explode, the earth had to be hit 4.
It is difficult, on becoming aware of just how contingent your own existence is, not tofeel very lucky to be part of our universe. A stunning debut novel set in the late s as an androgynous youth arrives in small-town Minnesota, searching for the mother who abandoned him as a child. On a clear morning in the summer of , Shane Stephenson arrives in Holm, Minnesota, with only a few changes of clothes, an old Nintendo, and a few dollars to his name. Reeling from the death of his father, Shane wants to find the mother who abandoned him as an adolescent--hoping to reconnect, but also to better understand himself.
Against the backdrop of Minnesota's rugged wilderness, and a town littered with shuttered shops, graffiti, and crumbling infrastructure, Holm feels wild and dangerous. Holm's residents, too, are wary of outsiders, and Shane's long blonde hair and androgynous looks draw attention from a violent and bigoted contingent in town, including the unhinged Sven Svenson. He is drawn in by a group of sympathetic friends in their teens and early twenties, all similarly lost and frequent drug users: the reckless, charming J and his girlfriend Mary; Jenny, a brilliant and beautiful artist who dreams of escaping Holm; and the mysterious loner Russell, with whom Shane, against his better judgment, feels a strange attraction.
As Sven's threats of violence escalate, Shane is forced to choose between his search for his mother, the first true friendships he's ever had, and a desire to leave both his past and present behind entirely. At its core, Northern Lights is the story of a son searching for his mother, and for a connection with her, dealing with issues of abandonment and forgiveness. But it also addresses the complications, tensions, and dysfunction that can exist in those relationships, presenting an unforgettable world and experience often overlooked, with a new kind of hero to admire.
From Nobel Prize-winning economist Jean Tirole, a bold new agenda for the role of economics in society When Jean Tirole won the Nobel Prize in Economics, he suddenly found himself being stopped in the street by complete strangers and asked to comment on issues of the day, no matter how distant from his own areas of research.
His transformation from academic economist to public intellectual prompted him to reflect further on the role economists and their discipline play in society. The result is Economics for the Common Good, a passionate manifesto for a world in which economics, far from being a "dismal science," is a positive force for the common good. Economists are rewarded for writing technical papers in scholarly journals, not joining in public debates. But Tirole says we urgently need economists to engage with the many challenges facing society, helping to identify our key objectives and the tools needed to meet them.
To show how economics can help us realize the common good, Tirole shares his insights on a broad array of questions affecting our everyday lives and the future of our society, including global warming, unemployment, the post global financial order, the euro crisis, the digital revolution, innovation, and the proper balance between the free market and regulation. Providing a rich account of how economics can benefit everyone, Economics for the Common Good sets a new agenda for the role of economics in society. It has a bent bucket seat, bashed tin-can handlebars, and wood-cut wheels -- and riding the patchwork bike that you and your crazy brothers made is the best fun in the whole village.
When you live in a village at the edge of the no-go desert, you need to make your own fun. That's when you and your brothers get inventive and build a bike from scratch, using everyday items like an old milk pot maybe Mum is still using it, maybe not and a used flour sack. You can even make a license plate from bark if you want. The end result is a spectacular bike, perfect for whooping and laughing as you bumpetty bump over sand hills, past your fed-up mum and right through your mud-for-walls home.
A joyous story by multi-award-winning author Maxine Beneba Clarke, beautifully illustrated by street artist Van Thanh Rudd.
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All That Trash! The narrative is immensely readable A fresh take on a story of old garbage guaranteed to spark conversations and a desire for actions among students. Highly recommended. Lowell Harrelson wanted to turn trash into methane gas so he rented a barge called Morbo His plan was to ship the garbage from New York to North Carolina, but as the barge floated down the coast, no state would let him dock because of smelly waste on board! The barge became a mockery and the butt of many jokes in the media.
What started as an attempted business venture turned into quite the predicament for Mr. Mobro roamed the seas for forty-five days and traveled a distance of 6, miles. While awaiting its fate, the trash floated in New York's harbor, garnering much attention by onlookers. An important selection for biography and sports collections. This is one biography that will struggle to stay on the shelf.
Some say they're two of the greatest athletes of all time. Before they were world famous, they were little girls with big dreams. Venus and Serena Williams. Two peas in a pod. Best friends. Six days a week they awoke before the sun came up to practice their serves and returns, to learn to run faster and hit harder. They were unstoppable. At age fourteen, Venus played her first professional match. Three years later, it was Serena's turn.
It wasn't easy. Some tennis fans cheered for these two fresh faces, while those who were unhappy to see two black girls competing in a nearly all-white sport booed and taunted them. But they didn't let it stop them. Ransome share the inspirational story of two tennis legends who were fierce competitors on the courts, but close sisters above all.
One dark night, Drest's sheltered life on a remote Scottish headland is shattered when invading knights capture her family, but leave Drest behind. Her father, the Mad Wolf of the North, and her beloved brothers are a fearsome war-band, but now Drest is the only one who can save them. So she starts off on a wild rescue attempt, taking a wounded invader along as a hostage. Hunted by a bandit with a dark link to her family's past, aided by a witch whom she rescues from the stake, Drest travels through unwelcoming villages, desolate forests, and haunted towns. Every time she faces a challenge, her five brothers speak to her in her mind about courage and her role in the war-band.
But on her journey, Drest learns that the war-band is legendary for terrorizing the land. If she frees them, they'll not hesitate to hurt the gentle knight who's become her friend. Drest thought that all she wanted was her family back; now she has to wonder what their freedom would really mean. Is she her father's daughter or is it time to become her own legend?
An instant bestseller! By 1 New York Times bestselling author Holly Black, the first book in a stunning new series about a mortal girl who finds herself caught in a web of royal faerie intrigue. Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever. And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe. Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie.
Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him--and face the consequences. In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed.
But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself. Fox the Tiger by Corey R. Tigers are big and fast and sneaky. So he decides to become one! Soon Turtle and Rabbit are joining in the fun. But will Fox want to be a tiger forever? In Fox the Tiger, this winning trickster character and his animal friends learn that the best thing to be is yourself. House of Leaves by Mark Z.
Danielewski Call Number: 1st Floor Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.
Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Transitions are marked with primitive signs, such as the visual dimensions of number--a concern that keeps arising as the poems ask how abstractions differ from matter. Light and transparency figure in every poem in this book, while the book as a whole deals with memory as fluid, transitory, illuminating. An illusion. Since its publication in , Rachel Carson's book Silent Spring has often been celebrated as the catalyst that sparked an American environmental movement.
Yet environmental consciousness and environmental protest in some regions of the United States date back to the nineteenth century, with the advent of industrial manufacturing and the consequent growth of cities. As these changes transformed people's lives, ordinary Americans came to recognize the connections between economic exploitation, social inequality, and environmental problems.
As the modern age dawned, they turned to labor unions, sportsmen's clubs, racial and ethnic organizations, and community groups to respond to such threats accordingly. The Myth of Silent Spring tells this story. By challenging the canonical "songbirds and suburbs" interpretation associated with Carson and her work, the book gives readers a more accurate sense of the past and better prepares them for thinking and acting in the present. And, in case you're wondering, yes, the book is funny.
In places, very funny. A remarkable story, magnificently told. Wasson shows why improv deserves to be considered the great American art form of the last half century.
For that reason alone, it's a valuable book. It holds the element of surprise--true to the spirit of its subject. On the night of October 30, , thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was in fact a radio drama based on H.
Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio. In this compelling nonfiction chapter book, Gail Jarrow explores the production of the broadcast, the aftermath, and the concept of fake news in the media. Mia Tang has a lot of secrets.
Number 1: She lives in a motel, not a big house.
Between the Lines: Sue Grafton on X
Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests. Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they've been letting them stay in the empty rooms for free, the Tangs will be doomed.
Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language? It will take all of Mia's courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams? It all starts when six kids have to meet for a weekly chat--by themselves, with no adults to listen in.
There, in the room they soon dub the ARTT Room short for "A Room to Talk" , they discover it's safe to talk about what's bothering them--everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world.
And together, they can grow braver and more ready for the rest of their lives. The Book of Boy was awarded a Newbery Honor.
An Academic Skating on Thin Ice
With a hump on his back, a mysterious past, and a tendency to talk to animals, he is often mocked by others in his town--until the arrival of a shadowy pilgrim named Secondus. Impressed with Boy's climbing and jumping abilities, Secondus engages Boy as his servant, pulling him into an action-packed and suspenseful expedition across Europe to gather seven precious relics of Saint Peter.
Boy quickly realizes this journey is not an innocent one. They are stealing the relics and accumulating dangerous enemies in the process. But Boy is determined to see this pilgrimage through until the end--for what if St. Peter has the power to make him the same as the other boys? Features a map and black-and-white art by Ian Schoenherr throughout. Friendships are forged, loyalties are tested. Caleb Franklin and his big brother Bobby Gene are excited to have adventures in the woods behind their house.
But Caleb dreams of venturing beyond their ordinary small town. Styx is sixteen and oozes cool. Styx promises the brothers that together, the three of them can pull off the Great Escalator Trade--exchanging one small thing for something better until they achieve their wildest dream. But as the trades get bigger, the brothers soon find themselves in over their heads. Styx has secrets--secrets so big they could ruin everything.
Five best of the year lists! Please share. Winner of the Newbery Medal Thoughtful, strong-willed sixth-grader Merci Suarez navigates difficult changes with friends, family, and everyone in between in a resonant new novel from Meg Medina. Merci Suarez knew that sixth grade would be different, but she had no idea just how different. For starters, Merci has never been like the other kids at her private school in Florida, because she and her older brother, Roli, are scholarship students. They don't have a big house or a fancy boat, and they have to do extra community service to make up for their free tuition.
So when bossy Edna Santos sets her sights on the new boy who happens to be Merci's school-assigned Sunshine Buddy, Merci becomes the target of Edna's jealousy. Things aren't going well at home, either: Merci's grandfather and most trusted ally, Lolo, has been acting strangely lately -- forgetting important things, falling from his bike, and getting angry over nothing.
No one in her family will tell Merci what's going on, so she's left to her own worries, while also feeling all on her own at school. In a coming-of-age tale full of humor and wisdom, award-winning author Meg Medina gets to the heart of the confusion and constant change that defines middle school -- and the steadfast connection that defines family. Armitage Call Number: 3rd Floor From Benjamin Franklin's campaign to combat pollution at the Philadelphia's docks in the s to the movement against climate change today, American environmentalists have sought to protect the natural world and promote a healthy human society.
In This Green and Growing Land, historian Kevin Armitage shows how the story of American environmentalism--part philosophy, part social movement--is in no small way a story of America itself, of the way citizens have self-organized, have thought of their communities and their government, and have used their power to protect and enrich the land. Armitage skillfully analyzes the economic and social forces begetting environmental change and emphasizes the responses of a variety of ordinary Americans--as well as a few well-known leaders--to these complex issues.
This concise and engaging survey of more than years of activism tells the story of a magnificent American achievement--and the ongoing problems that environmentalism faces. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment.
As he shows inMusic as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization. Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author's struggle to encourage his students to distinguish the qualities of good music.
Scruton then explains--via erudite chapters on Schubert, Britten, Rameau, opera and film--how we can develop greater judgement in music, recognizing both good taste and bad, establishing musical values, as wellas musical pleasures. Who is Baby Monkey? He is a baby. He is a monkey. He has a job. He is Baby Monkey, Private Eye! Lost jewels? Missing pizza? Stolen spaceship? Baby Monkey can help Caldecott medalist Brian Selznick and author David Serlin bring Baby Monkey's adventures to life in an exciting new format that blends elements of picture book, beginning reader, and graphic novel.
With pithy text and over black and white drawings accented with red, it is ideal for sharing aloud and for emerging readers. Hooray for Baby Monkey! Tiger vs. Tiger is a lucky kid: She has a monster living under her bed. This monster arrived when Tiger was just a baby. It was supposed to scare her--after all, that's what monsters do. But Tiger was just too cute! Now, Tiger and Monster are best friends. But Monster is a monster, and it needs to scare something.
So every night, Monster stands guard and scares all of Tiger's nightmares away. This arrangement works out perfectly, until a nightmare arrives that's too big and scary for even Monster. Only teamwork and a lot of bravery can chase this nightmare away. Good Rosie! Beloved storyteller Kate DiCamillo and cartoonist Harry Bliss introduce some delightfully doggy dogs in a warm, funny tale of a timid pup who needs a friend.
Rosie is a good dog and a faithful companion to her owner, George. She likes taking walks with George and looking at the clouds together, but the closest she comes to another dog is when she encounters her reflection in her empty dog bowl, and sometimes that makes Rosie feel lonely. One day George takes Rosie to the dog park, but the park is full of dogs that Rosie doesn't know, which makes her feel lonelier than ever.
When big, loud Maurice and small, yippy Fifi bound over and want to play, Rosie's not sure how to respond. Is there a trick to making friends? And if so, can they all figure it out together? See Tweet fly. Fly, Tweet, fly.
Related Z is for Xenophobe (The Bob Putnam series Book 1)
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