The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes


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His philosophy was streamlined: "if there's elbow room for the activities you need, it's good, but anything beyond that is not good. It was less than square feet. Then he learned that his award-winning house would be illegal to construct. The size -- or lack thereof -- violated the International Residential Building Code that specified the smallest home could not be less than square feet and must contain at least one room of square feet. Shafer said, "Once I found out it was illegal to live in a small house, I had to do it. He had a point to prove. He said, "It couldn't be a trailer.

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It had to be very houselike. I wanted a home I could control For 10 years, he encouraged Tiny Housers to build the houses they wanted, live where they could, break the law, and ignore zoning rules. Morris developed guilds and societies for craftsmen. In his 50s, he joined the Democratic Federation and spoke hundreds of times to support socialism in England. Shafer took pleasure in getting fired up. Simplification requires that we consciously resist this system and replace it with a more viable one of our own making.

For some of us, it requires that we either break laws or expend the time and money required to change those laws that currently prohibit an uncomplicated life. The most recent definition There have been dozens of similar-but-not- exactly-the-same definitions posted online since An active resale market is developing, with most Tiny Houses 5.

The DIY Tiny House gives a hands-on life instead of being an onlooker who can only feel alive through accumulation. Downsizers consistently give three reasons for going tiny: 1 to preserve their retirement nest egg; 2 to have fewer things to take care of; 3 to have more free time. Some Tiny Housers are on the way up.


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They see the movement as a social and economic movement where they can build an entrepreneurial niche. These Tiny Housers are the architects, carpenters, writers, graphic designers, bloggers, social media evangelists, and lifestyle specialists. William Morris and Jay Shafer both mastered the tools of their time.

The Story of the Glittering Plain was published in an edition of in May and sold out in 3 months. The Kelmscott Press produced 52 works in 66 volumes. It created its own mini-revolution and was the inspiration behind the private presses of the early 20th century. Every person who felt moved to evangelize about the movement nabbed a URL and staked a personal claim in the Tiny House narrative. Reputations were built through a mix of useful information, personality-driven writing, and consistent attention to the excitement and drama of being part of a movement.

The rise of social media like Twitter and Facebook carried the conversation about the Tiny House movement to the masses. Tiny entrepreneurs learned to use social media marketing tools, amassing hundreds of thousands of followers. She stayed for three years while she was working as the sustainability lead for a construction company. She built the house to represent her core beliefs: that scale is key to sustainability, that having too much can be as complicated and uncomfortable as having too little, and that design matters.

Her memoir is The Big Tiny. After Jay Shafer, she appears to be the Tiny House celebrity people most want to take a selfie with. Based on charts and maps by Roman and others. John, Surveyed by order of. Jeffery Amherst. London, Robt. Bennet, 5 Aug. Also issued as the first separately published map of Lake Champlain, this chart was based on a survey This is an important addition to any library of Americana and overall this is a very good attractive copy.

Robert Sayer was a leading publisher and seller of prints, maps and maritime charts. More information about this seller Contact this seller 7. Published by Birkshire Golden Cockerel Press From: Buddenbrooks, Inc. Newburyport, MA, U. Limited to copies on Batchelor handmade paper, out of total edition of copies, this is no. Illustrated by Eric Gill with one full-page illustration, twenty-nine half-page illustrations, numerous decorative borders, tailpieces and line-fillers, and sixty-one initial letters printed in red and blue, all wood engraved by Gill.

The spines with blind ruled raised bands and gilt lettering in two compartments, t. Housed in a cloth slipcase. A beautiful set of this fine and impressive work, the original bindings very handsome and attractive with corners just a little bumped and with very light rubbing to edges in a few places, internally pristine. The volumes were printed by Robert and Moira Gibbings. The whole of the collaborative effort, the Gibbings, Eric Gill and the binding firm Sangorski and Sutcliffe is quite remarkable; "author, artist and printer have shared one concept and expressed it" Colin Franklin.

One should also not be some overtaken with the design that one overlooks the substance; the Canterbury Tales is a foundational work of English literature. The text here is that of the Reverend Walter Skeat, still considered to be one of the best renditions available. More information about this seller Contact this seller 8. Published by Printed for the author, London About this Item: Printed for the author, London, Two volumes bound as one, quarto, with 16 engraved maps and plates mostly folding , including the additional plate of "Teepye lobsters" which does not appear in Dalrymple's list; contemporary tree calf, green morocco spine label; a very good tall copy.

First edition: Dalrymple's famous collection of Spanish and Dutch voyages to the Southern Ocean, a foundation book for any voyage library. Passionately involved in the argument over the possible existence of a southern continent, Dalrymple here partially translates some twelve original accounts which support his belief in its existence. The various Spanish and Dutch accounts, beginning with Magellan's voyage of , include many of interest to northern Australia, including those of Mendana, Quiros and Tasman.

The book encompasses the state of voyaging and discovery in the Pacific in , and was published at approximately the time of the return of Cook's first voyage, in the Endeavour. It thus neatly encapsulates the story of maritime discovery right up to the point when Cook would change it all. This was more than just a coincidence of timing: much of Dalrymple's work had been done in the expectation that he would himself have the command of the Endeavour voyage to observe the transit of Venus, but partly because of his insistence on being given an Admiralty commission, the command went to Cook instead.

Dalrymple , the great hydrographer, first made his career in the East India Company. His personality was certainly not well suited to command: quarrelsome and arrogant, he was quick to take offence and his disappointment at missing out on the command is hinted at in the remarkable "undedications" of this work: to Byron 'who discovered scarcely anything but Patagonians' and to Wallis, the discoverer of Tahiti, who 'infatuated with female blandishments forgot for what he went abroad and hastened back to amuse the European world with stories of enchantments. An avid mercantilist, [he] theorized that the unexploited lands of the South Pacific would serve to augment England's expanding trade' Hill catalogue.


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The book's publication effectively announced the dawn of the golden age of Pacific exploration. Dalrymple's long introduction on trade and his 'investigation of what may be farther expected in the South Sea' expound his belief in the existence of a "Great Southern Continent", a theory firmly laid to rest when Cook later sailed right over it. This is an excellent copy of the book. Collations given by bookdealers and bibliographers sometimes vary, particularly regarding the engravings, and are not helped by Dalrymple's eccentric list of plates in his Introduction; this copy is exactly as we have seen the book several times before.

Dalrymple lists fifteen plates, all of which are present in this copy along with an additional plate of "Teepye lobsters" which does not appear in Dalrymple's list. Provenance: Private collection Australia. More information about this seller Contact this seller 9. Published by London: George G.

About this Item: London: George G. Original limp vellum, titles to front cover gilt, top edge gilt, others untrimmed, pictorial endpapers. With the original slipcase with hand-numbered spine label. Housed in a custom made green quarter morocco, fleece-lined solander box. Endpapers cockled, vellum a little puckered at corners both having occurred during the binding process: a common trait with this book.

An excellent copy. Colour frontispiece and 3 colour plates, black and white illustrations in the text, by Rackham. Deluxe edition, number of copies signed by the artist. With a delightful original pen-and-ink and watercolour drawing by Rackham signed and dated "Arthur Rackham " on the limitation leaf, depicting the twelve year old Gluck opening the window to Southwest Wind, Esquire. More information about this seller Contact this seller Published by D.

Heath and Company, Boston About this Item: D. Heath and Company, Boston, First edition of this collection of stories. Octavo, original illustrated cloth, pictorial endpapers. Boldly signed by Walt Disney on the half-title page. Illustrated throughout by the Walt Disney Studio. Story by Margaret Wise Brown. In very good condition with some rubbing to the extremities. Rare and desirable signed by Walt Disney. She went on to write many successful children's books including the much loved, "Goodnight Moon" and several books for the Little Golden Books Series.

Published by London: W. About this Item: London: W. Original red cloth, titles to spine in black.

The Shepheardes Calender: Conteyning tvvelue Æglogues proportionable to the twelve monethes.

With the dust jacket. Contemporary ownership inscription to front free endpaper. Minor wear to extremities, text block lightly toned, mild spotting to final few leaves. An excellent copy in a worn and lightly soiled jacket with darkened spine panel and loss to extremities affecting some letters. First edition, first impression, of the author's final novel, in the uncommon remainder binding.

In this work Mirrlees "beautifully handles. Olde Englisshe folk culture in the mode later made popular by Tolkien" Blieler, In Neil Gaiman described the work as "one of the finest [fantasy novels] in the English language. It is a little golden miracle of a book". Bleiler Published by London: India Museum, W. Allen and Co. Folio x mm. Publisher's red half hard-grain morocco on green sand-grained cloth, title gilt to the spine, neatly rebacked with the original spine laid down, large Naga Raja disk gilt to the front board, top edge gilt, marbled endpapers.

Joints and spine ends professionally repaired. Mild mottling to boards, text block occasionally lightly browned, some spotting and marginal finger-soiling, some of the albumen prints a little pale as often, but overall about very good. Lithographic decorative title after a drawing of the northern gateway at Sanchi by Lieut-Col.

Maisey and 40 other similar plates after Maisey, 57 mounted albumen prints by W. Griggs and Lieut. Waterhouse, 2 of them across 2 pages, double-page coloured plan, full-page tinted map, and numerous wood-engravings to the text. Burne-Jones's style does not betray any immediately obvious Indian influence, though he was related by marriage to John Lockwood Kipling, a great champion of Indian art, whose pen and ink studies were first shown, with sample wares, at international exhibitions in London , , Vienna , and Paris ; in they went on display in the new India section of the South Kensington Museum.

A strong serpentine theme can, however, be detected running through Burne-Jones's work, famously in his The Doom Fulfilled Perseus slaying the Sea Serpent ; in the windows of St Margaret's, Rottingdean; his portrayal of Sidonia von Bork with her robe patterned with "branching and knotted snakes, black upon the golden stuff"; and most suggestively the pencil sketch Serpent Women Around Globe at the Art Institute of Chicago The Leonora Hall Gurley Memorial Collection, Although the book has been described as "fanciful" David Boyd Haycock in ODNB , it remains an important record, and is a superb example of an early photographically illustrated book involving three of the key players in the development of the form.

James Fergusson was one of Victorian Britain's most prominent architectural historians, respected by Ruskin, and the dedicatee of Schliemann's great work Tiryns, as "the historian of architecture, eminent alike for his knowledge of art and for the original genius which he has applied to the solution of some of its most difficult problems". He quickly made his fortune "and was able to retire, and as 'an expert draughtsman with a camera-lucida' he explored India 'chiefly on a camel's back, from end to end and from side to side' exploring the rock-cut temples of Ajanta, Ellora, and elsewhere" ODNB.

In he was preparing a display on Indian architecture for the Paris Exhibition, and was looking for sculptures, or architectural fragments, to cast "to draw attention [and] give some character" to his exhibition of photographs. He was "not a little astonished" to discover that " large collection of marbles" from Amravanti Tope - a site that he had "thought it well worth a voyage to India specially for the purpose of exploring" - were stored for their preservation in the coach-house of the India Museum at Leadenhall Street Preface.

He set to work on a monograph describing the site, and to this end the pieces were photographed by William Griggs, the Museum photographer, and inventor of the photolithographic process by which many of the plates in the present work were produced. In the course of his researches on the subject, Fergusson then uncovered "a beautiful series of drawings" of Sanchi Tope in the Indian Office library, at the same time receiving a set of photographs of the same monument from Lieut.

James Waterhouse, which lead him to reconsider the form of the book, expanding it to combine the accounts of the two monuments. Waterhouse, whose images arrived so serendipitously, went on to become President of the Royal Photographic Society , having been awarded the Society's Progress Medal in for his work on dye sensitising. Griggs's pioneering work in chromo-photolithography, and with the half-tone and collotype processes, led to him being obituarized by the Printer's Register as "that venerable craft father of ours".

An interesting work with an extremely appealing provenance. Gernsheim, Incunabula, Published by Oxford: Printed by Leon. Lichfield, About this Item: Oxford: Printed by Leon.

"Shepherd's Calendar - January" by John Clare (read by Roy Macready)

Lichfield, , Octavo in half sheets x mm. Contemporary panelled calf, sometime recornered and rebacked with original spine laid down, red speckled edges. Humfrys a Hereford solicitor. Spine showing some craquelure, sides rubbed, title page a little dusty, leaves Q4, S and T trimmed by the binder shaving a few headlines , scattered foxing, yet still an appealing copy, clean and sound.

First and sole edition, celebrated for including Samuel Johnson's first appearance in print and the mention of him in the preface as "a Commoner of Pembroke-College in Oxford".

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Johnson spent only thirteen months at Pembroke October to December , forced to leave through financial constraints. His stay may have been short but the nineteen-year old Johnson made a strong impression on his fatherly tutor William Jorden. The distinguished biographer Walter Jackson Bate relates that "within a few weeks Jorden, by now quite aware of his pupil's talents, suggested that he translate, as a Christmas exercise, Alexander Pope's poem Messiah into Latin verse.

The premise of Pope's Messiah is the medieval belief that Virgil's Fourth Eclogue, which predicts the birth of a child who will bring a golden age, is a prophecy of Christ. These lines [pp. But he wrote half of them in one afternoon, according to [his former schoolmate] Edmund Hector, and finished the poem the following morning. A year or so after Johnson left Oxford, the work was included in a Miscellany of Poems edited by a young Pembroke tutor, John Husbands, who died a year after the collection appeared. The list of subscribers included almost half of all the members of Pembroke College who were present at the time Johnson was there.

But Johnson's own name is not among them, in this book that contains the first surviving publication of any of his works. He may not even have known that the book was appearing. Or, if he did, he could have hardly wished to be reminded - at that time - of the year at Oxford. That year and all it meant, or could mean, was by then hopelessly finished; his ties with it had been cut" Samuel Johnson, , pp. Chapman and Hazen p. Pagination: [4], , [1] pp. Nineteenth century quarter vellum with corner tips over paper covered boards, manuscript spine title, edges red; light toning.

Formerly from the Harry Levinson bookshop and sold by him to Dr. Coleman of Long Beach, Very good copy. First Edition of the "Medicina Catholica. It would seem that it was a Hermetic philosophy which involved him in ceaseless controversy and, in the end, overshadowed his contemporary reputation as a successful physician and practical experimenter. This dealt specifically with meteorology and cosmology. See Fludd's "Prognosticon Meteorologicum.

Iatromathematica pp. Signs of prophecy pp. Geomancy pp. Physiognomy pp. Chiromancy pp. His work on the study of urine pp. Page [misnumbered ""] shows Fludd's drawing of the "kidneys with the aorta and vena cava, showing the drainage through the urinary vessels to the bladder.


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Also shown is the male anatomy of the testes, vas deferens, seminal vesicles and penis. Fludd's own anatomical work is heavily influenced by Vesalius and his great Fabrica of just 88 years earlier. His books were all printed on the Continent, as he did not have to pay towards the production costs which he would have done in London, with the result that they were little read in England.

This plate depicts the Paracelsian physician in his chair, book open to the appropriate passages, with the figure surrounded by vials of different colored urine, which revolve heliocentrically around his seated body like planets in the Copernican system here, the physician himself, his heart animated by the Holy Spirit, takes the place of the sun, the light of which resides in his heart.

Only the alchemical golden color indicated a state of perfect inner health. Orbiting around this central figure are seven spheres filled with text poured into them from urine vials, which read, in a circular pattern beginning from the. The pontil glass window forms circles.

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Opere a stampa , I, Lauren Kassell, "Secrets Revealed: alchemical books in early-modern England. Sara Martin,? Seller Inventory S Calabasas, CA, U. The Pleasures of Youth. Nos Gentils Hommes a Gout. First only edition, complete. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie.

Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed, some light, mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. Provenance: purchased in Paris, Rare, with OCLC recording only six copies in institutional holdings worldwide, and no auction records since We have only seen one other copy of this title.

A satire of the bustle, behavior, customs, and pleasures of young, Parisian gentlemen - golden youth. A good proportion of his thousands of lithographs were gathered into albums. The Plates: 1.

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Ne vous effrayez pas! Un objet de prix pour ne rien prendre 3. Fol de carrossier. Un maitre dans une peau de domestique. Des gages fabuleux. Ton vicomte est un cuistre! L'ami de coeur. L'etat d'heritier a bien ses charges! Prenez y garde, John! Un ci-devant. Tachez donc de faire aller mes cheveux! Oh he! Ce cavalier! Herbert: Poems. George Herbert. Shakespeare: Poems. Romeo and Juliet. Complete Poems in English. Johann Wolfgang Von Goethe. Collection Of William Shakespeare Volume 3.

To My Husband and Other Poems. Anne Bradstreet. Timeless Classics: Philoctetes Illustrated. Anicius Manlius Severinus Boethius. The Rape of Lucrece. Lord Byron. Alexander Pope. Hero and Leander and Other Poems. Christopher Marlowe. Robert Browning. A Poet's Guide to Britain. Owen Sheers. Hudson with an Introduction by Charles Harold Herford. A Quintet of Shakespeare Tragedies. Iphigenia In Tauris. William Wordsworth. Poems and Rhymes for all Times. Natalie Mason. Boccaccio Giovanni. The Complete Poetry. Selected Poems: Peter Sansom. Peter Sansom. Oedipus The King. Poems Aplenty. Jacklyn Calvard.

Shelley; an essay. Francis Thompson. Tales From Chaucer. Charles Cowden Clarke. The Tragedy of Dido Queene of Carthage. Songs of Experience. William Blake. Elizabethan Sonnet-cycles. Martha Foote Crow. Works of Eliza Cook. Eliza Cook. The Vision Of Purgatory, Complete. Miltons Paradise Lost.

The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes
The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes The Shepheard’s Calender: Twelve Aeglogues Proportional to the Twelve Monethes

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